| Mixing consoles: |
| Solid State Logic - Duality |
|
1 x Total Recall, Automation (72 Channel, mix 5.1) |
| Panasonic RAMSA DA-7 MK II |
|
1 x Digital console (16 mono inputs, epansion cards) |
| |
| Recorders: |
| PRO TOOLS HD v 8 |
|
3+1 192 I/O (32 tracks) + SYNC I/O |
| |
|
G5/sw .v. 7.3.1 24bit, 32ch I/O, max192kHz |
| Digital Performer v 6 |
|
1 x MOTU UltraLite Mk 3 (mix 5.1) |
| |
|
G5 PRO |
| SADIE 4 |
|
1 x Artemis 24 tracks |
| TASCAM |
|
2 x DA 78 HR (2 x 8 tracks) |
| |
|
1 x DA 98 HR (8 tracks) |
| |
| 2 channel recorders: |
| DAT SONY |
|
2 x PCM 2700 |
| |
|
1 x PCM 7050 |
| |
|
1 x PCM R 700 |
| CDR HHB |
|
1 x CDR 830 BurnIt Plus |
| Analog 1“ |
|
1 x Studer A 807 (s Dolby SR / A) |
| MC-Casette |
|
3 x Sony TC-K 770 ES |
| |
| External preamplifiers: |
| Millennia HV 3 R (56 Channels) |
|
7 x Microph. 8 ch preamp |
| Millennia STT-1 (2 Channels) |
|
2 x Twin Topology 1ch preamp |
| |
| External converters: |
| Euphonix A/D (24 ch. 24bit/96kHz) |
|
1 x type AM 713 (Analog to MADI) |
| |
|
1 x type MD 704 (MADI to AES) |
| Euphonix D/A (24 ch. 24bit/96kHz)) |
|
1 x type DM 714 (AES to MADI) |
| |
|
1 x type MA 703 (MADI to Analog) |
| Benchmark A/D D/A 2 channel |
|
1 x type ADC1 |
| |
|
1 x type DAC1 |
| |
| Video equipment: |
| Plasma monitors |
|
2 x Panasonic TH 42PH10 (NTSC or PAL) |
| Classic video monitors |
|
3 x PVM 2730 QM (NTSC or PAL) |
| Canopus ADVC-110 |
|
1 x External firewire video card (NTSC or PAL) |
| U-matic SONY |
|
1 x BVU 900 (PAL player, Hi / Lo band 25 frames) |
| VHS SONY |
|
1 x SL-V 715 (NTSC or PAL) |
| |
| Studio listening: |
| Audio monitors |
|
8 x B & W Matrix 801 MK III |
| |
|
1 x JL Audio Fathom (LFE) |
| |
|
2 x Yamaha NS 10 M |
| |
|
4 x JBL Control 1 |
| |
|
2 x Electro Voice Sentry 100 EL with power amp. |
| Power amplifiers |
|
6 x B & W M 800 Mono Power Amp. |
| |
|
1 x Chord 1242 dual |
| |
|
2 x HH VX-900 dual |
| |
| Synchronization: |
| Blackburst PAL |
|
1 x PAL / EBU |
| Nanosync |
|
1 x Rosendahl, DDS Audio clock and video sync.ref.gen. |
| |
| Headphones: |
| Wired |
|
2 x Sennheiser HD 250 |
| |
|
5 x AKG K 240 DF |
| Wireless (for musicians) |
|
150 x Sennheiser HDI 234 infrared |
| |
| Effects: |
| Lexicon |
|
1 x 480L (V 4.0) multieffect |
| |
|
1 x 960L multieffect |
| Eventide |
|
1 x H 3000 B multieffect |
| Yamaha |
|
4 x SPX 900 multieffect |
| TC Electronic |
|
1 x Finalizer + digital compressor - limiter |
| Sony |
|
1 x SDP 1000 digit. comp-limit-equaliser |
| Urei |
|
2 x Urei 1178 analog compressor |
| Klark Teknik |
|
2 x DN 360 equaliser |
| Metronome |
|
1 x Wittner TM 1 Quartz |
| |
| Microphones: |
| Neumann |
|
16 x U 87A i P48 |
| |
|
10 x TLM 170 P 24 / P 48s |
| |
|
2 x SM 69 fet |
| |
|
2 x M 149 Tube |
| |
|
2 x M 147 Tube |
| |
|
10 x KM 140 |
| AKG |
|
10 x C 414 B-ULS |
| |
|
5 x C 451 EB CK 1 |
| |
|
2 x C 451 EB CK 5 |
| |
|
4 x C 451 EB CK 22 |
| |
|
4 x C 747 comb |
| |
|
2 x D 112 |
| |
|
2 x D 224 E |
| |
|
4 x D 330 BT Mark III |
| Schoeps |
|
12 x CMC 5 MK 4 |
| |
|
4 x MK 2 S |
| |
|
4 x MK 41 |
| |
|
2 x MK 8 |
| |
|
4 x MK 6 |
| |
|
5 x MK 21 |
| |
|
4 x MK 4 V |
| |
|
4 x M 222 Tube |
| |
|
2 x CCM 4 Ug |
| Bruel & Kjaer |
|
4 x B&K Type 4011 |
| |
|
4 x B&K Type 4006 |
| DPA |
|
4 x DPA 4051 omni |
| |
|
2 x DPA 4027 halfomni |
| Shure |
|
2 x Beta 57 |
| |
|
2 x Beta 58 |
| |
| Dimensions: |
Dvoøák´s hall (concert hall)
- max. 120 musicians, 140 choir |
|
24 x 32 x 14 m (Width x Lenght x Height) |
Suk´s hall (concert hall)
- max. 15 musicians |
|
10 x 24 x 6 m |
| Control Room No. 1 |
|
8 x 8 x 3 m |
Control Room No. 2
(... , or recording room for 6 musicians) |
|
8 x 8 x 3 m |
| |
